Who the hell does this
"Tim Burton" character think he is?
If he ever gets a shot at directing that 2
nd movi
e someday, he
needs to be closely monitored - for Tim Burton is the creator of childhood
trauma the likes of which
Elián González never imagined (too soon?)
I'm sure the conversation went a little something
like this as I strode towards my mother in our local video store, VHS in hand:
JOHN: "Hey mom! This
looks fun; it's got a guy and a bike on the cover!"
MOM: "Sure! I've heard tell
of this Peewee character, and he seems like a wholesome comedian of great
substance. We will rent this motion
picture for your childhood enjoyment."
JOHN: "Yay!"
2 Hours later I
approached my mother with the look of a weary old man who had been to The Mountains
of Madness.
MOM: "Son, you look rather distraught, as if your childhood
has just come crashing down upon you."
JOHN: "Large…Marge…sent…me……."
MOM: "Who is this Marge you speak of?"
JOHN: "Clowns…everywhere…and the devil…fat devil…melted the
bike…kept saying 'Now!'
The
rest is history. How in Lovecraft's name
did this movie get placed into the kid's section of my video store? Let's see: mangled corpse trucker ghost, wild
animals with demonic glowing eyes, Pee Wee getting mugged (by Tim Burton) in an
alleyway (also the funniest part of the movie), a magic shop of ungodly
horrors, clowns…just…so many evil clowns, snakes, and to cap it all off…Texas.
I hated that movie as a kid. It destroyed any hope I had of being a tough
guy...I was officially petrified of Paul Reubens (was I right, or wrong in the
end?) Something always stuck with me
though, even beyond the waking nightmares whenever I closed my eyes…that score. I had no idea why I loved the breakfast
machine so much…I had seen a breakfast machine in Back to the Future prior to
that. When you've seen one breakfast
machine, you've seen them all, am I right?
Elfman
tends to get a lot of crap by some for being an "untrained composer." Sure, the snob in me is skeptical about who
wrote what parts of what-have-you, and that bothers me. But you know what? Danny Elfman dove from being a popular rock
musician into the horrifying land of film composing, and his simplistic
(intentional!) playful score rocked that movie.
Even the…(shudder)…clown scene had music that was so steeped in irony
and childish cracked out carnival nightmare that you can't help but appreciate
that horrible, horrible scene. And Danny
Elfman would go on to never sound
like a circus, or use oom-pah-pah's again.
The End.
Seriously
though – this was Elfman's first chance to make an impression on the film
world, and he created a score so unique in its simplicity and insanity, that
you have to give him all the credit in the world. Even watching the DVD with the isolated music
track and Elfman's commentary is a joy.
Listen to how happy that guy is to be reliving the process he used in
scoring that movie! I may have been
horrified and traumatized while watching the movie, but darnit, the filmmakers
clearly enjoyed themselves! If you
haven't checked out that DVD with Danny's isolated score/commentary, I suggest
you check it out to hear a composer have a fun time visiting an old friend.
As a
final note, I currently love me some Pee-wee's Big Adventure. My wife hates it, and says I'm a child for
enjoying it. I think she might be
underhandedly complimenting me.
Probably not, though.
John Ross Jesensky
Google
